Hugh Coltman 4tet. jath25 ## |
| № | SB | IN | Instrument | Mic 1 | Mic 2 | Autre | Pied |
|---|---|---|---|---|---|---|---|
| 01 | Kick | Beta 52:D6 | Beta52 | S | |||
| 02 | Kick Rear | Sm 91 | |||||
| 03 | Sn top | Sm 57 | S | ||||
| 04 | HH | Km184 | S | ||||
| 05 | Tom | e604 | |||||
| 06 | Floor | e604 | |||||
| 07 | Conga | Beta 57 | S | ||||
| 08 | Vox présentation | HFBeta 58 | michel JATH | ||||
| 09 | Perc | Beta 57 | S | ||||
| 10 | Foot | Sm 57 | S | ||||
| 11 | OH | Km184 | Mic Bar | T | |||
| 12 | OH | Km184 | Mic Bar | T | |||
| 13 | 1 | Double Bass Pickup | DI | Radial | |||
| 14 | 2 | Double Bass Mic | DPA 4099 | ||||
| 15 | 1 | Gtr front | SM57 | S | |||
| 16 | 2 | Gtr rear | SM57 | S | |||
| 17 | 3 | Gtr M160 | Provide | S | |||
| 18 | Gtr Lead | Sm 57 | S | ||||
| 19 | LEAD | Sm 58 | liaison analogue | T | |||
| 20 | Split Voice L | Split Foh | |||||
| 21 | Split Voice R | Spli Foh | |||||
| 22 | 4 | Voice Gtr | Sm 58 | T | |||
| 23 | 3 | Voice Bass | Sm 58 | T | |||
| 24 | Voice Drum | Sm 58 | Beta 58 | T | |||
| 25 | 4 | Ambiance | Sm 57 | Mic Bar | S | ||
| 26 | 5 | Ambiance | Sm 57 | Mic Bar | S | ||
| 27 | Lead Voice Monitor | Y from stage | |||||
| 28 | 5 | Voice Amplifier | Sm 57 | Beta 58 | S |
Son FOH: Axel PFIRRMANN
Tel : +33 (0) 6 15 36 32 63
Mail : axel.pfirrrmann@gmail.com
BACKLINE
LEAD
One (1) Fender HotRod Deluxe 112 or Fender Deluxe Reverb Reissue 65'' for Guitar
One (1) Fender HotRod Deluxe 112 or Fender Deluxe Reverb Reissue 65'' for Voice
One (1) small table or flight case for accessories
One (1) guitar stand
One (1) armless chair
GUITAR
One (1) Fender Twin Reverb 65 Blackface
Two (2) guitar stand
One (1) piano bench
ACOUSTIC BASS
One (1) cabinet 4x10'' Ampeg
One (1) head Ampeg Heritage or Classic
One (1) Professional ¾ SIZE UPRIGHT BASS with a professional Pickup
Instrument must be all wood, of professional quality, with an adjustable bridge (no plywood)
One (1) bar stool
One (1) cube or flight case for Wedge
DRUMS
One (1) complete Professional LUDWIG VINTAGE Drum Set ( before 80's )
Coated Remo Ambassador
One (1) 20" x 14" bass drum ( without hole on the resonnant )
One (1) 12" rack toms fixed on the bass drum
One (1) 14" x 14"floor tom separately
One (1) 14” x 6”or 6,5” snare drum ( LUDWIG )
Four (4) boom cymbals stands
One (1) hi hat stand
One (1) snare stand
One (1) drum throne seat
One (1) bass drum pedal
One (1) drum rug (2x2m/ 9x6')
One (1) cube or flight case for Wedge
One (1) Conga without stand
Tel : +33 (0) 6 15 36 32 63
Mail : axel.pfirrrmann@gmail.com
BACKLINE
LEAD
One (1) Fender HotRod Deluxe 112 or Fender Deluxe Reverb Reissue 65'' for Guitar
One (1) Fender HotRod Deluxe 112 or Fender Deluxe Reverb Reissue 65'' for Voice
One (1) small table or flight case for accessories
One (1) guitar stand
One (1) armless chair
GUITAR
One (1) Fender Twin Reverb 65 Blackface
Two (2) guitar stand
One (1) piano bench
ACOUSTIC BASS
One (1) cabinet 4x10'' Ampeg
One (1) head Ampeg Heritage or Classic
One (1) Professional ¾ SIZE UPRIGHT BASS with a professional Pickup
Instrument must be all wood, of professional quality, with an adjustable bridge (no plywood)
One (1) bar stool
One (1) cube or flight case for Wedge
DRUMS
One (1) complete Professional LUDWIG VINTAGE Drum Set ( before 80's )
Coated Remo Ambassador
One (1) 20" x 14" bass drum ( without hole on the resonnant )
One (1) 12" rack toms fixed on the bass drum
One (1) 14" x 14"floor tom separately
One (1) 14” x 6”or 6,5” snare drum ( LUDWIG )
Four (4) boom cymbals stands
One (1) hi hat stand
One (1) snare stand
One (1) drum throne seat
One (1) bass drum pedal
One (1) drum rug (2x2m/ 9x6')
One (1) cube or flight case for Wedge
One (1) Conga without stand